Learned behaviors-feral children and other cultures

Learned behaviors-feral children and other cultures Free Online Research Papers The study of feral children offers evidence that all of our behaviours as human beings is learnt. The feral children were afraid of artificial light, living in the forests they were not used to artificial light, in fact they preferred the darkness they could see more better as they were used to it. They were afraid of humans and kept a good distance and did not show any affection, attraction or curiosity towards humans because the only time they were ever in contact with them, the humans probably had guns and were shooting at the wolfs and seeing the wolfs always keeping a distance between them they did the same. They did not use any tools not even a stick because they lived with wolfs they were not shown how to use any tools. They did not walk upright they walked on both theirs hands and feet because the wolfs walked like that they tried to imitate the wolfs. They did not laugh, sing or show any emotions again as they were with wolfs they didnt learn how to, which is evidence that characteristics such as laughing and singing is learnt. They did not use any language, make any noise or gestures to communicate, they did not point at any thing or directions, or even nod their head in agreement or disagreement. Again as they were living with wolfs they did not speak or communicate in any language because the wolfs didnt speak the feral children did the same. They ate by pushing their faces into the food and drank by lapping from a bowl. The feral children imitated how the wolfs would eat they would eat live animals. All the characteristics and behaviours the feral children portrayed were all learnt. The study of feral children shows how important the environment and surroundings are and who your brought up by makes a huge difference. One planet, different world. By the Indian tribe offering and making tea it shows how it is a common practice offering tea to your guests, although in different societies it might be done in different ways such as offering sweets instead of tea, The significance is not the tea but in offering the tea, it is a way of expressing glad tidings to your guest that they are welcome. By the Indian tribe walking naked, It should not be seen as something strange or peculiar because to them it is normal it might be due to the hot weather but you must understand they have always seen each other naked all the time so for them to see someone not naked would be strange. For them it is normal. Research Papers on Learned behaviors-feral children and other culturesEffects of Television Violence on ChildrenGenetic Engineering19 Century Society: A Deeply Divided EraPersonal Experience with Teen PregnancyAnalysis Of A Cosmetics AdvertisementHip-Hop is ArtThe Spring and AutumnThe Relationship Between Delinquency and Drug UseWhere Wild and West MeetThe Hockey Game

Juan Gris, Spanish Cubist Painter

Juan Gris, Spanish Cubist Painter Juan Gris (1887-1927) was a Spanish painter who lived and worked in Paris, France, for most of his adult life. He was one of the most significant cubist artists. His work followed the development of the style through all of its stages. Fast Facts: Juan Gris Full Name: Jose Victoriano Gonzalez-PerezOccupation: PainterStyle: CubismBorn: March 23, 1887 in Madrid, SpainDied: May 11, 1927 in Paris, FranceEducation: Madrid School of Arts and SciencesSpouses: Lucie Belin, Charlotte (Josette) HerpinChild: Georges Gonzalez-GrisSelected Works: Portrait of Pablo Picasso (1912), Still Life with Checkered Tablecloth (1915), Coffee Grinder (1920)Notable Quote: You are lost the moment you know what the result will be. Early Life and Career Born in Madrid, Spain, Juan Gris studied engineering at the Madrid School of Arts and Sciences. He was an outstanding student, but his heart was not in academia. Instead, he chose to focus on the drawing skills that came naturally. In 1904, he began to study with the artist Jose Moreno Carbonero, a past instructor of Salvador Dali and Pablo Picasso. Hulton Archive / Getty Images After adopting the name Juan Gris in 1905, the artist moved to Paris, France. He would stay there for most of the rest of his life after having avoided Spanish military service. In Paris, he encountered some of the leading artists of the emerging avant-garde scene including Henri Matisse, Georges Braque, and Pablo Picasso, as well as American writer Gertrude Stein, who would become a collector of Gris work. During the period, Gris contributed satirical drawings to a wide range of Parisian journals. Cubist Painter In 1911, Juan Gris began to seriously focus on his painting. His initial works reflect the emerging cubist style. Pablo Picasso led the early development of cubism along with French artist Georges Braque. Gris considered Picasso an important mentor, but Gertrude Stein wrote that Juan Gris was the only person whom Picasso wished away. Portrait of Pablo Picasso (1912). Corbis Historical / Getty Images Gris exhibited at the Barcelona Exposicio dArt Cubista in 1912, considered the first group exhibition of cubist artists. His early cubist works are in the style of analytical cubism pioneered by Picasso and Braque. The 1912 Portrait of Picasso is an example of this approach. However, within two years, he focused on synthetic cubism, which used collage techniques extensively. The 1915 Still Life with Checkered Tablecloth illustrates the change. Crystal Cubism The outbreak of World War I in 1914 disrupted the life and work of Juan Gris. Gertrude Stein provided him with financial assistance, and he spent time at Henri Matisses studio in the south of France. In 1916, Gris signed a contract with French art dealer Leonce Rosenberg which helped solidify his financial future. Coffee Grinder (1920). Heritage Images / Getty Images Juan Gris simplification of the geometrical structure of his paintings in late 1916 is a distilled version of cubism. He also blurs the distinction between the background and the central object in the picture. This style has been called crystal cubism. Many observers see the technique as the logical extension of developments in cubism. The first major solo exhibition of the work of Juan Gris took place in Paris in 1919. He also participated in the final major exhibit of cubist painters at the Salon des Independents in Paris in 1920. Later Career In the months following the end of World War I in 1919, Juan Gris became ill from the lung disease pleurisy. He traveled to Bandol on the southeastern coast of France to recuperate. There, he met Russian ballet patron Serge Diaghilev, founder of the Ballets Russes. Juan Gris designed sets and costumes for the dance troupe from 1922 through 1924. La Liseuse (1926). Heritage Images / Getty Images More major international exhibitions followed from 1923 through 1925. During the period, Gris enjoyed the greatest fame that he would know during his lifetime. He delivered the lecture, Des possibilites de la peinture at the Sorbonne in 1924. It outlined his major aesthetic theories. Unfortunately, Gris health continued to decline. In 1925, he began to suffer from cardiac and kidney disease. Juan Gris died of kidney failure at age 40 in 1927. Legacy Still Life with Checkered Tablecloth (1915). Metropolitan Museum of Art / Wikimedia Commons / Creative Commons 1.0 While Pablo Picasso and Georges Braque are given credit for first developing the cubist style, Juan Gris is one of the most distinctive artists who devoted his career to the development of the movements theories. Artists ranging from Salvador Dali to Joseph Cornell acknowledged their debts to the innovations of Juan Gris. His use of brand logos and newspaper type anticipated the development of Pop Art a generation later. Source Green, Christopher. Juan Gris. Yale University Press, 1993.